The Hateful Eight (Quentin Tarantino, 2016)

Not a warning, not a question... a bullet (spoiler notice)

How do you make a minute-long shot of a snow-burdened carving of Jesus on the crucifix the very height of suspense? Simple. Shoot it beautifully in Ultra Panavision 70 (with a whopping 2.76:1 aspect ratio) and have maestro Ennio Morricone score the damn thing. As the custom-built camera draws back and reveals the approach of a distant stagecoach in this, The Hateful Eight, we can already be pretty sure few if any of its occupants will get through the film alive.